Thursday, September 19, 2019

Hawksmoor :: English Literature

Hawksmoor - There are many puzzling features in this novel - Discuss three in detail, looking at the way they are communicated. 'Hawksmoor' as a novel is on the whole, puzzling. As it is a detective story, Peter Ackroyd uses different techniques of involving the reader in his plot so that even if the beginning is not fully understood, we have to go on reading it just to see what happens next. These different features, for example, the juxtaposition of the time periods between the chapters; the post-modernistic aspects of Ackroyd's writing; and the conflicts between reality and fiction all make the novel puzzling. Time in this novel is very confused, with two time periods (the modern day and the eighteenth century) being juxtaposed in alternate chapters throughout the novel. The theme of time is continued on this premise and there are many references to time by the characters themselves. For example at one point, Nicolas Dyer says: "..how do we conclude what time is our own." Nicolas Hawksmoor also asks: " 'Well, Walter, what do you make of that timing?' 'It's impossible, sir.' 'Nothing is impossible. The impossible does not exist'" Not only are there direct referrals to time, like this but also there are tenuous links and suggestions to it as a dominant theme. For example, Hawksmoor is looking for the zero meridian when he is in Greenwich and there are many others. The changes in time are highlighted by the interesting use of language for the chapters narrated by Nick Dyer. Many spellings are different from modern English, for example, corpse is spelt 'corse'. Ackroyd also uses capital letters for nouns in these chapters. The eighteenth century writing is a constant reminder to the reader of which time period is being read about and is particularly prominent when the chapter and therefore the time period changes. Furthermore, it means that the reader has to concentrate more and because of the different formation of sentences it is difficult for the reader to follow at times, which is consistent with the detective story theme. Ackroyd wants the reader to be actively involved in the plot and they need to pick up on any small threads that he drops. As the novel progresses, there is an increasing confusion with time, so much so that at points it seems barley present. Ackroyd highlights this with the abundance of flashbacks that both the main characters have and because of this the time is changing not only between the chapters but also within them. Dyer has many flashbacks to his past and they often come without warning or relevance to what was previously talked about.

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